Recommended Read: Sputnik Sweetheart

A decade ago, Haruki Murakami had broken out to American audiences and was learning to live the high life of authorial superstardom, as The Wind-up Bird Chronicle captivated readers worldwide and proved the Japanese writer to be a heavyweight in the world of contemporary literature. Following this novel, which was at that time his longest, Murakami returned to his roots with Sputnik Sweetheart, which debuted in Japan in 1999 and released in the United States in 2001 as translated by Philip Gabriel. Clocking in at little over 200 pages, Sputnik Sweetheart captures the novella-feel of his early work, specifically, Hear the Wind Sing and Pinball, 1973. Unlike his first two short novels, however, Sputnik Sweetheart saw publication in the United States and brings the short novel form in which Murakami started writing to meet his complex character development and plot structure. As such, Sputnik Sweetheart serves as a tribute to Murakami’s early writing days, but is a textbook example of his characteristic somber-sentimental, smooth, heart-wrenchingly beautiful prose.

“In the spring of her twenty-second year, Sumire fell in love for the first time in her life. An intense love, a veritable tornado sweeping across the plains–flattening everything in its path, tossing things up in the air, ripping them to shreds, crushing them to bits. The tornado’s intensity doesn’t abate for a second as it blasts across the ocean…”

Sputnik Sweetheart starts out as a simple enough story narrated by a mid-twenties elementary school teacher referred to only as “K” who is in love with aspiring novelist Sumire, who he knows will never love him, as she has her heart set instead on a mysterious older businesswoman with a history and a head full of snow white hair. As such, when Sumire disappears on a small island near Greece, “K” joins the search and discovers that while he thinks he is looking for Sumire, he is actually searching for himself. Equal parts love story and suspense novel, Sputnik Sweetheart exemplifies the best of Murakami—the nostalgia of Norwegian Wood, the dream-like scenes of The Wind-up Bird Chronicle, and the complexity of narrative of Kafka on the Shore.

Whether this is an introduction to the writer or the next step in a reader’s survey of Murakami’s world of coffee shops, record collections, and city streets, Sputnik Sweetheart is sure to please. The novel is Murakami at his agonizingly best.

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Welcome to the Red Brick

Welcome, reader, to the Red Brick, the official blog of Floodwall Magazine. Floodwall is the new literary journal of the University of North Dakota, and is managed and edited by the graduate students of the department of English. The first issue is in the works and will launch early next year, and a print edition will accompany the University of North Dakota’s annual Writers Conference.

The objective of this blog is to balance the scope of the journal–while Floodwall is a national journal that accepts submissions from outside the university, the content of Red Brick is produced by students within the UND English program. The blog will be dedicated to news surrounding the journal and developing discussions about literature from all angles, including Red Brick Recommended Reads and interviews with up-and-coming writers. Stay tuned.